On the Mathematical Principles of Supernatural Philosophy 1.1.2

Abstract There is a unique and mysterious negative image of a naked crucified man on the Shroud of Turin that has proven impossible to duplicate. Skeptics say that it is a medieval forgery because the origin cloth was radiocarbon dated in 1988 to between 1260 and 1390 AD (1), but this is easily explicable (2, 3), and all of the forensic and historical evidence other than this indicates that the 1988 result is wrong (4). The body-image -the result of oxidization and dehydration of the top-most micro-fibers of the cloth- is consistent with having been produced by a burst of high-frequency by radiation (2, 5), and Dr John Jackson (6, 7) has proposed that the body image on the Shroud was produced by the effect of radiation on a cloth collapsing through a disappearing body. But there is something insufficient about the cloth-collapse theory. In particular, it cannot account for the undistorted nature of the image. An alternative explanation – first proposed as far as I know by the late ecclesiastical artist Isabel Piczek (8) – is that there was a suspension of gravity at the moment of resurrection. Here we consider mathematical principles that a) stand in their own right b) explain the image on the Shroud and the skewed radiocarbon date and c) recommend Piczek’s explanation.

 

John Jackson writes of the cloth-collapse explanation of the image on the Shroud:

The concept of a cloth falling into the underlying body region and receiving an image, in essence, requires that two separate assumptions be made. First, we must assume that the body became mechanically “transparent” to its physical surroundings and, second, that a stimulus was generated that recorded the passage of the cloth through the body region onto the cloth as an image. With regard to the latter assumption, it is unclear in an a priori sense what to assume for the physical nature of the stimulus. However, we at least know that it was able to interact physically with cloth; otherwise, image discolorations would not have been formed. I propose that, as the Shroud collapsed through the underlying body, radiation emitted from all points within that body discolored the cloth so as to produce the observed image. (6)

Critics of the authenticity of the Shroud (such as David Kyle Johnson Ph. D. who writes a Psychology Today blog) (9) have, mixed in with the usual ill-considered pseudo-historical and pseudo-scientific objections, some legitimate observations:

Just looking at the Shroud also establishes that it is not legitimate. First, the image in the shroud looks nothing like what Jesus would have actually looked like; first century Palestinians were not that tall (false, the vagaries of the cloth make it impossible to determine the exact height of man in the Shroud, but based on excavations in Galilee, this was not unnaturally far beyond the average for that time and place of 5’9) (10), did not have that kind of hair or beard, or even that kind of nose. Instead, the image is more typical of how Jesus came to be depicted in art in the 14th century (false, the image is typical of how Jesus was depicted since the 6th or 7th century AD because these images were based on the image on the Shroud).

And speaking of the hair, the long hair seen in the shroud defies gravity.

It is parallel with the man’s body, as if he is standing, instead of falling to the back of the head as it would if was the body were lying flat (true)…

Shroud enthusiasts – “shroudies,” as they like to be called – insist that the image on the shroud was produced by some kind of energy (like radiation) emitted by Jesus’s body as he rose. But the image on the shroud could not be produced by such an event. (A) Radiation can’t leave an image in cloth (false). (B) Even if it could, since radiation emits in all directions, at best it would just leave a blurry silhouette, not a clear cut face with features (false). (C) Even if it could produce a clear cut face with features, that face would be distorted. A cloth wrapped around someone’s head lays flat against their nose, eye sockets and ears. If someone’s face somehow ‘radiated’ and recorded an image on such a cloth, when flattened out the cloth would depict whole representations of each part – nose, eye socket, and ears – all pointing in the same direction (true, assuming the presence of gravity)…

Cloth-collapse models simply can’t account for various aspects of the body-image -notably the undistorted nature of the frontal and dorsal images- but the late artist Isobel Piczek provided the hint of a theory that can. She noted:

  • The lack of anatomical distortion of the naked Body projected on the Shroud.
  • It is clearly visible on the Shroud Images, especially on the Dorsal Image, that the muscles of the Body are not crushed and flattened against the stone bench of the tomb.
  • The Body is hovering between the upper and the lower sheet and there is NO TRACE OF GRAVITY.

  • The lack of gravity is also further proven by the Shroud linen. The linen does not fall on top of the Body, but remains in its unnaturally stretched condition at some distance from the body.

And while her theory doesn’t really make sense in terms of the theory of gravity that has come down to us from Einstein (11, 12), General Relativity itself doesn’t really make full sense either. At root of GR is the idea that mass curves space-time, and the fact that this is a half-truth is suggested by the implication of multiple singularities (13), the lack of a coherent mathematical framework for both large scale and small scale objects (14), and by the flat rotation curves of distant galaxies (15, 16). It readily takes us back to an initial condition of the universe such that all the mass of the universe is compressed to a point, and this same infinite compression of mass is, by the terms of the theory, also to found at the centers of black hole. But the singular nature of the initial condition of the universe represents the beginning of the time, while the singularities at the centers of black holes in some sense represent the end of time, and these forms of curvature should therefore be quite distinct. More particularly, it should not be the case that both are attributable to the infinite action of the force of gravity. This is the theory breaking down, and a sign of a false assumption. There is much talk of the big bang versus the big crunch, but since both these states are associated with infinite gravity, General Relativity paints a picture of the universe that begins and ends in an identical state when, very clearly, there is throughout the universe as we know it an arrow of time leading from an energetic contracted state to an exhausted expanded one. If we give up this (bad) idea that curvature is due to mass (which is a combination of light and space), and employ instead the idea that curvature is due to imbalances of light and space (where the classical world is balanced, the atomic world is unbalanced in the direction of light, and black holes are unbalanced in the direction of space), we will find that we can solve this and other problems. Mathematically, we capture what it is to be balanced, and what it is to depart from balance, thereby producing curvature, by re-expressing the tradition equation for a circle of area 1 (\pi \sqrt{\frac{1}{\pi }}^2=1) as

\lim_{x\to \infty } \left(e^{2 \gamma } \sqrt{\frac{1}{e^{2 \left(\sum _{n=1}^x \frac{1}{n}-\int_1^x \frac{1}{n} \, dn\right)}}}\right){}^2=1

Where the traditional equation fails by implying that an energy source located at the center of this area unit-circle is undiminished from center to circumference (it has either a zero or an infinite radius), the second provides us with a potentially infinite hierarchy of energy levels that are necessarily non-infinite and non-zero. Given that gamma is a spacial case of \zeta (s)-\frac{1}{s-1} for s = 1, we can go from \lim_{x\to \infty } \left(e^{2 \gamma } \sqrt{\frac{1}{e^{2 \left(\sum _{n=1}^x \frac{1}{n}-\int_1^x \frac{1}{n} \, dn\right)}}}\right){}^2=1 to the more general

\lim_{x\to \infty } \left(e^{(s+1) \left(\zeta (s)-\frac{1}{s-1}\right)} \left(\left(\frac{1}{\exp \left((s+1) \left(\sum _{n=1}^x \frac{1}{n^s}-\int_1^x \frac{1}{n^s} \, dn\right)\right)}\right){}^{\frac{1}{s+1}}\right){}^{s+1}\right)=1

Let s = 12, and let

\left(\frac{e^{2 \gamma } \left(e^{-\left(\zeta (s)-\frac{1}{s-1}\right)}\right)^2}{\hbar =e^{2 \gamma } \left(e^{-\left(\zeta (s)-\frac{1}{s-1}\right)}\right)^2-e^{2 \gamma } \left(e^{-\left(\sum _{n=1}^7 \frac{1}{n^s}-\int_1^7 \frac{1}{n^s} \, dn\right)}\right){}^2}\right){}^{1/s} = the critical line/radius on the right hand side of which curvature in the direction of light is non-classical.

If we look to the non-classical side of the critical line, we see the following series of quantized jumps goes on forever within bounds related to the Gibbs constant (which limits the size of the overshoots of Fourier sums at jump discontinuities) (17).

Since it is the differences between the partial sums/integrals and the limit that protect against the degeneration of a cosmic spiral into a circle with no radius (a point), or the degeneration of this spiral into a circle with infinite radius (a line), we know that these differences have minimum and maximum sizes. More particularly, we know that if and only if s = 1 and

e^{(s+1) \left(\zeta (s)-\frac{1}{s-1}\right)} \left(\left(\frac{1}{e^{(s+1) \left(\zeta (s)-\frac{1}{s-1}\right)}}\right)^{\frac{1}{s+1}}\right)^{s+1}=e^{2 \gamma } \sqrt{\frac{1}{e^{2 \gamma }}}^2=1

then the progression associated to

\left(\frac{e^{2 \gamma } \left(e^{\frac{1}{s-1}-\zeta (s)}\right)^2}{e^{2 \gamma } \left(e^{\frac{1}{s-1}-\zeta (s)}\right)^2-e^{2 \gamma } \left(\exp \left(-\left(\sum _{n=1}^x \frac{1}{n^s}-\int_1^x \frac{1}{n^s} \, dn\right)\right)\right){}^2}\right){}^{1/s}

is potentially infinite. In the case of s = 1, the difference between the partial sum/integral and the limit is always larger than the critical line, but if s is a positive real number greater or less than 1, then the difference is sometimes not less than the critical line where s > 1, and in both cases the progression is strictly finite. These two directions leading away from s = 1 give us two distinct notions of imbalance, and of curvature. Given that the fundamental state of the universe is infinite light, it follows that if s > 1, then the imbalance is in favour of light, and if s < 1, the imbalance is in favour of space. Let s = 0.9, and let

\left(\frac{e^{2 \gamma } \left(e^{-\left(\zeta (s)-\frac{1}{s-1}\right)}\right)^2}{\sigma }\right)^{1/s} = the critical line on the right hand side of which curvature in the direction of space-gravitational curvature-is non-classical:

Polar plots of

e^{2 \gamma } \left(e^{-\left(\zeta (12)-\frac{1}{12-1}\right)}\right)^2-e^{2 \gamma } \left(\exp \left(-\left(\sum _{n=1}^{p_x} \frac{1}{n^{12}}-\int_1^{p_x} \frac{1}{n^{12}} \, dn\right)\right)\right){}^2

and

e^{2 \gamma } \left(e^{-\left(\zeta (0.9)-\frac{1}{0.9\, -1}\right)}\right)^2-e^{2 \gamma } \left(\exp \left(-\left(\sum _{n=1}^{p_x} \frac{1}{n^{0.9}}-\int_1^{p_x} \frac{1}{n^{0.9}} \, dn\right)\right)\right){}^2

on the non-classical side of the critical line:

 

Since the initial condition of the universe is, in this model, massless -since it involves no space and time, and an infinite concentration of light- it follows that absolutely speaking light has no speed, and that the apparent speed of light is due to the expansion of space. The principle that

  • light is propagated in straight lines at the velocity c regardless of the state of motion of the emitting body

is in a suitably balanced classical region equivalent to the principle

  • space expands in straight lines at the velocity c regardless of the state of motion of the body in space

It follows from the switch from the usual space-centric perspective to the light-centric perspective, that any departure in the speed of an object from the speed of the uniform expansion of space -c- requires the action of a force. So when an object is at rest or moving uniformly (when it is not departing from the speed of the uniform expansion of space), it will for obvious reasons remain that way unless acted upon by a force. This gives us an objective notion of uniformity and explains the principle of inertia. Recalling that balanced classical regions are governed by the equation \lim_{x\to \infty } \left(e^{2 \gamma } \left(e^{-\left(\sum _{n=1}^x \frac{1}{n}-\int_1^x \frac{1}{n} \, dn\right)}\right){}^2\right)=1 – and therefore by the Generalized Riemann Hypothesis (18) – we can deduce Newton’s laws of motion:

  1. Every object persists in its state of rest or uniform motion in a straight line unless it is compelled to change that state by forces impressed upon it.
  2. Force is equal to the change in momentum (mV) per change in time. For a constant mass force = mass times acceleration.
  3. For every action there is an equal and opposite reaction. (19)

c can be tied to the fundamental physical constants using the language of the new model by reference to the fine structure constant – \alpha. The recommended CODATA value of \alpha is

\frac{7.29735}{10^3}=\frac{1}{137.036}=\left(e^{2 \gamma } \left(e^{-\left(\zeta (12)-\frac{1}{12-1}\right)}\right)^2-e^{2 \gamma } \left(e^{-\left(\sum _{n=1}^1 \frac{1.00009}{1^{12}}-\int_1^1 \frac{1.00009}{1^{12}} \, dn\right)}\right){}^2\right){}^2

Let

\alpha = the fine structure constant

e = the elementary charge

\epsilon _0 = the electric constant

\hbar = the reduced Planck constant

k_e = the Coloumb constant

\mu _0 = the magnetic constant

R_K = the von Klitzing constant

Z_0 = vacuum impedance

and it follows that

\alpha =\frac{e^2}{\left((4 \pi ) \epsilon _0\right) (c \hbar )}=\frac{\left(e^2 c\right) \mu _0}{(4 \pi ) \hbar }=\frac{e^2 k_e}{c \hbar }=\frac{c \mu _0}{2 R_K}=\frac{e^2 Z_0}{(4 \pi ) \hbar }=\left(e^{2 \gamma } \left(e^{-\left(\zeta (12)-\frac{1}{12-1}\right)}\right)^2-e^{2 \gamma } \left(e^{-\left(\sum _{n=1}^1 \frac{1.00009}{1^{12}}-\int_1^1 \frac{1.00009}{1^{12}} \, dn\right)}\right){}^2\right){}^2

There is a difference of 0.0000127295 between the recommended value of \alpha and \left(e^{2 \gamma } \left(e^{-\left(\zeta (12)-\frac{1}{12-1}\right)}\right)^2-e^{2 \gamma } \left(e^{-\left(\sum _{n=1}^1 \frac{1}{1^{12}}-\int_1^1 \frac{1}{1^{12}} \, dn\right)}\right){}^2\right){}^2, but this value has changed over the decades, it is dependent on many assumptions, and positive and negative variations in \[Alpha] of one part in 100, 000 are suggested by data on quasar absorption lines (20).

A force -any force- is the thing that causes a departure from uniformity in one direction or the other. Along with the physical constants, and the other forces, we can deduce gravity from this notion of uniformity in the form of the force – strictly the curvature of space resulting from an imbalance of light and space in favour of space- which causes an object to depart from a state of uniform expansion in the direction of accelerated expansion. This is the direction of the arrow of time, and of death. In order to halt this inexorable flow and to go in the reverse direction – in the direction of de-accelerated expansion and the direction resulting from an imbalance of light and space in favour of light – it is necessary that gravity first be suspended.

Izabel Piczek:

We have stated that there is a dividing line, a real INTERFACE between the projection of the Frontal Image and the Dorsal Image that was, no doubt, created by the Body wrapped into the Shroud.

REVEALING SIGNS:

1) The hermetic separation of the two images Frontal and Dorsal without any overlap.

2) The lack of anatomical distortion of the naked Body projected on the Shroud.
– These both indicate that the Shroud was forced absolutely taut and precisely parallel with some kind of horizontal entity running in the center.
-Also is apparent the presence of an inner Enclosure, AN ISOLATED SYSTEM, with all that this Isolated System would indicate or even enforce.

3) It is clearly visible on the Shroud Images, especially on the Dorsal Image, that the muscles of the Body are not crushed and flattened against the stone bench of the tomb.

4) The Body is hovering between the upper and the lower sheet and there is NO TRACE OF GRAVITY.

5) The lack of gravity is also further proven by the Shroud linen. The linen does not fall on top of the Body, but remains in its unnaturally stretched condition at some distance from the body.

All the above tell us that the INTERFACE indicated is not an ordinary Interface. Judging by its qualities it has to be an EVENT HORIZON that blocks every communication between the two sides of the Image.

Let us see what is usually indicated by an Event Horizon and how does that relate to the Event Horizon of the Shroud:

An Event Horizon is a critical line or a radius that divides Space-Time into two distinct regions. The exterior region one can experience, but the region beyond the critical line or radius one cannot experience. The critical line marks the path of the last light pulse that still reached the Event Horizon and Time itself slowed to a halt. Looking at the critical line from the other side Time and events gain almost infinite speed and one could see the whole history of the Universe, past present and future rapidly passing to an arbitrary end.

Ordinarily Event Horizons are tied to Gravity and Time, until they both, Time and Space cease to exist in a Black Hole, the end product of the process and gravity suffers a catastrophic collapse.

Does the Interface Event Horizon of the Shroud lead to a Black Hole?

Everything on the Shroud indicates that the answer is NO. It is here that we face the most substantial paradox of our investigation. A paradox of that magnitude one cannot solve all at once, but one can assemble everything that is known so far and get closer to the magic door opening through the Shroud into a startlingly different world.

We have stated before that the images on the Shroud firmly indicate the total absence of Gravity. Yet they also firmly indicate the presence of the Event Horizon. These two seemingly contradict each other and they necessitate the past presence of something more powerful than Gravity that had the capacity to solve the above paradox.

ENTROPY TURNED AROUND. THE SECOND LAW DEFEATED.

Entropy decreasing can produce energy levels powerful enough to replace gravity while leaving other gravity-like effects in place, as the Event Horizon. This has to be studied further. It promises some very new results.

The upper region of the Isolated System of the Shroud has one Event Horizon, H1, that serves as a boundary of the Upper Region and there has to be an Event Horizon, H2, that is boundary to the Lower Region of the closed system. There is no space region but infinite density between the two. The two Boundaries can be looked at as one. Because H1 and H2 move so close to each other that they look as one, makes them eventually disappear, causing a total collapse of the Time quantum to ABSOLUTE ZERO TIME.

The total Space and Time breakdown to zero exposes that what was in the heart of the now collapsed Event Horizon. Not a Black Hole, but a very special kind of SINGULARITY, similar to the one that once assisted the creation of a universe, our own…

As indicated by Isabel herself, these ideas don’t quite make sense in the light of the General Theory of Relativity, and/or The Standard Model of Particle Physics -but then these theories fall as far short of being able to explain the Shroud as they fall short of being able to explain the universe- but they make perfect sense in the light of the theory illustrated below:

 

Download .pdf

REFERENCES

(1) Damon et al (1989), Radiocarbon dating of the Shroud of Turin

(2) Rinaudo, J (1999), Image formation on the Shroud of Turin explained by a protonic model affecting radiocarbon dat­ing

(3) Rucker, R (2014), MCNP Analysis of Neutrons Released from Jesus Body in the Resurrection

(4) Wilson, I, Schwortz, B (2000), The Turin Shroud: The Illustrated Evidence

(5) Di Lazzaro, P (2015), A Ray of Light on The Shroud

(6) Jackson, J (1990), Is the image on the Shroud due to a process heretofore unknown to modern science?

(7) Jackson, J (1991), An unconventional hypothesis to explain all image characteristics found on the Shroud image

(8) Piczek, I, The Event Horizon of the Shroud of Turin

(9) Johnson, K, https://www.psychologytoday.com/blog/logical-take

(10) Meyers, E, et al (1981), Excavations at Ancient Meiron, Upper Galilee, Israel

(11) Einstein A. (1916), Relativity: The Special and General Theory

(12) O’Connor, J (1996), General relativity

(13) Wald, R (1997), Gravitational Collapse and Cosmic Censorship

(14) Wald, R (1984), General Relativity

(15) Rubin, V et al (1980), Rotational Properties of 21 Sc Galaxies with a Large Range of Luminosities and Radii from NGC 4605 (R = 4kpc) to UGC 2885 (R = 122kpc)

(16) de Swart, J. et al (2017), How dark matter came to matter

(17) Zhou, Z (2002), An observation on the relation between the fine structure constant and the Gibbs phenomenon in Fourier analysis

(18) Davenport, H (2000), Multiplicative number theory

(19) Newton, I (1687), The Principia: Mathematical Principles of Natural Philosophy

(20) Webb, J et al (2010), Evidence for the spatial variation of the fine-structure constant

APPENDIX: THE EVENT HORIZON OF THE SHROUD OF TURIN BY ISABEL PICZEK

We have stated that there is a dividing line, a real INTERFACE between the projection of the Frontal Image and the Dorsal Image that was, no doubt, created by the Body wrapped into the Shroud.

REVEALING SIGNS:

1) The hermetic separation of the two images Frontal and Dorsal without any overlap.

2) The lack of anatomical distortion of the naked Body projected on the Shroud.
– These both indicate that the Shroud was forced absolutely taut and precisely parallel with some kind of horizontal entity running in the center.
– Also is apparent the presence of an inner Enclosure, AN ISOLATED SYSTEM, with all that this Isolated System would indicate or even enforce.

3) It is clearly visible on the Shroud Images, especially on the Dorsal Image, that the muscles of the Body are not crushed and flattened against the stone bench of the tomb.

4) The Body is hovering between the upper and the lower sheet and there is NO TRACE OF GRAVITY.

5) The lack of gravity is also further proven by the Shroud linen. The linen does not fall on top of the Body, but remains in its unnaturally stretched condition at some distance from the body.

All the above tell us that the INTERFACE indicated is not an ordinary Interface. Judging by its qualities it has to be an EVENT HORIZON that blocks every communication between the two sides of the Image.

Let us see what is usually indicated by an Event Horizon and how does that relate to the Event Horizon of the Shroud:

An Event Horizon is a critical line or a radius that divides Space-Time into two distinct regions. The exterior region one can experience, but the region beyond the critical line or radius one cannot experience. The critical line marks the path of the last light pulse that still reached the Event Horizon and Time itself slowed to a halt. Looking at the critical line from the other side Time and events gain almost infinite speed and one could see the whole history of the Universe, past present and future rapidly passing to an arbitrary end.

Ordinarily Event Horizons are tied to Gravity and Time, until they both, Time and Space cease to exist in a Black Hole, the end product of the process and gravity suffers a catastrophic collapse.

Does the Interface Event Horizon of the Shroud lead to a Black Hole?

Everything on the Shroud indicates that the answer is NO. It is here that we face the most substantial paradox of our investigation. A paradox of that magnitude one cannot solve all at once, but one can assemble everything that is known so far and get closer to the magic door opening through the Shroud into a startlingly different world.

We have stated before that the images on the Shroud firmly indicate the total absence of Gravity. Yet they also firmly indicate the presence of the Event Horizon. These two seemingly contradict each other and they necessitate the past presence of something more powerful than Gravity that had the capacity to solve the above paradox.

ENTROPY TURNED AROUND. THE SECOND LAW DEFEATED.

Entropy decreasing can produce energy levels powerful enough to replace gravity while leaving other gravity-like effects in place, as the Event Horizon. This has to be studied further. It promises some very new results.

The upper region of the Isolated System of the Shroud has one Event Horizon, H1, that serves as a boundary of the Upper Region and there has to be an Event Horizon, H2, that is boundary to the Lower Region of the closed system. There is no space region but infinite density between the two. The two Boundaries can be looked at as one. Because H1 and H2 move so close to each other that they look as one, makes them eventually disappear, causing a total collapse of the Time quantum to ABSOLUTE ZERO TIME.

The total Space and Time breakdown to zero exposes that what was in the heart of the now collapsed Event Horizon. Not a Black Hole, but a very special kind of SINGULARITY, similar to the one that once assisted the creation of a universe, our own.

THE TRUE FACE OF SINGULARITY.

For years science looked at dark matter as something that cannot exist in reality. The existence of dark matter has now been proven. For a long time no one believed in the real existence of black holes. When their existence was accepted science thought of them as very sinister entities in outer space. Now we know, that with their great gravitational power, they keep the galaxies together against the gravitational pull of dark matter. Singularities are feared and are on the extreme sinister list. It is here that the laws of nature, order and organization, as we know them, cease to exist, together with the predictability and consequently science itself. Due to them one has to give up rigid symmetries or the idea of an exactly uniform Universe. Unpredictable influences can come into the Universe from elsewhere.

What is the true face of the Big Bang type Singularity ??

Space-Time Singularity Big Bang style allows something to come out of nothing. It lends us to the possibility of the creation of a Universe. Science and human thinking since centuries was trapped in the notion that events that already have happened and the previous structures of the universe determine with considerable precision the structures and events of the present and even the future Universe. It seems to be a safe and utterly mechanized set up! The trouble with it is that it just does not work. Creation is alive, it is not mechanized. It was formed by Singularity. It freely implants new patterns and ideas into creation for its DEVELOPMENT, not for its smooth working. Singularity stands in the service of Information, the real INFORMATION, not the one science believed in for centuries through its mechanized set up. Information is the basic, living substance of the universe of which everything is made. It cannot be destroyed or changed.(Landauer’s Principle:”Any process that erases a bit in one place, must transfer that same amount of information somewhere else”). It always comes in from the future, never from the past. While Space and Time can fall to zero in the depth of Singularity, it is the wrong notion that also Information is trapped there. Nothing can trap Information. Its propagation is independent from light, it has its own Information waves that can overcome any field or force. While everything in the Universe began at some point out of Singularity and may cease to exist at another point, Information simply stays.

The presence of Singularity selects for us the type of field at work in the tomb. It is undoubtedly THE FIELD OF INFORMATION. Its nature forbids the formation of its own anti-field.

Symmetry breaking is an almost more frequent phenomenon than invariance in nature. This should be attributed to the character of Singularity and its still ongoing consequences in creation. The subatomic world was mankind’s first exposure to the real nature of creation without any human manipulation. Science had to accept randomness, vague probability, constant change, sudden appearance and annihilation of particles. The real world seems to be a very creative world but hard to hold on to where anything can happen.

Paul Davies, one of the physicists who most profoundly studied Singularities, calls Singularities of the Big Bang type “a permanent and inexhaustible life support system”.

A Space-Time Singularity has two functions and characters in one. The time-like character of Singularity is a boundary to Space and its space-like character is a boundary to Time. The time-like Singularity in this Universe is a more severe boundary to Space than the space-like Singularity to Time. Both could be considered past, like if this would not be turned over by the quasi rules of the quantum world.

The big difference between the space-like and the time-like Singularities is that the space-like Singularity does not endure in the true sense. It shows an explosive behavior. The time-like Singularity in this creation system continues with time at least through certain duration. John Archibald Wheeler said:”It carries new influences into the Universe”.

The double Event Horizon of the Shroud, once it is fused into ONE (with the energy supplied for it probably by reverse entropy), exposes a Singularity that has this double nature, time-like and space-like and behaves accordingly. As a Big Bang type space-like Singularity it explodes in one impact. As a time-like Singularity it will continue. If we wondered how Time could recover from a zero collapse state, the answer is to be found in this. Time also has to go through a PHASE TRANSFORMATION.

THE IMAGE.

When an Event Horizon is reached and Time stops, events are frozen in Time. It is held to be true that events are recorded on the Event Horizon.
Similarly, since the Shroud represents a closed system, the Body was recorded, Frontal and Dorsal, on the two Event Horizons, together with some of the traces of the phenomena that effected the closed system. After Time, due to the impulse of Singularity, started to proceed again, it had to give forth the image that was joined to the last Time quanta and recorded on the Event Horizon. Hence the retrospective quality of the image and the fact that it is the dead Body that got recorded, not the risen one. At the “time” the image was transferred on the cloth, the Body was no longer in the tomb. But the difference in time is infinitesimal. Not expressible in our own terms.

The process that permanently fixed the two Images on the cloth is not any simpler than what lead to it till now. No wonder Shroud Research never was able to tackle this problem. Why were these complexities necessary at all?

“The Singularity may represent the interface between the natural and supernatural”. (Paul Davies).

We never could find and describe the “physics” of the Resurrection or find the secret to make people rise. All these belong to God alone. But perhaps we could get a glimpse of the purpose this extraordinary piece of cloth wants to serve?
Earnestly reading on the cloth the traces of some colossal phenomena, there is only one conclusion. Let us follow the complex process again described by the Shroud.

SUMMARY OF THE PROCESS OF IMAGE FORMATION:

There is the hermetic separation of the two Images with no overlap. The Frontal Image is projected upward and the Dorsal Image downward, clearly describing a Horizontal Interface in between.The Interface seems to have the power of making the Shroud straight and taut and definitely forced to be parallel with this mysterious entity. Due to this condition of the Shroud the Image of the Body on both sides is visibly perfect and undistorted anatomically. The cloth is staying at some distance from the Body and does not fall on it. Also clearly visible is that the muscles of the Body are not flattened against the stone bench of the tomb. The body is weightlessly hovering between the two sides of the sheet. The fact that the upper side of the sheet did not fall on the Body and that the muscles are not crushed and flattened against the stone bench of the tomb clearly proves the total absence of gravity.

All the above visible traces on the Shroud indicate that the new Entity, the mysterious Interface is significantly more than just an Interface. It has obviously great power of a special kind that indicates we are dealing with an Event Horizon. The lack of Gravity, however, introduces here a significant paradox. There is a great upsurge of energy with strong organizing power that would mean decreasing entropy. The immense energy released has the means to overpower Gravity while energizing the Event Horizon already in place. (here some new and different laws seem to present themselves that have to be studied).

The greatly divided Upper region and Lower region of the Isolated System of the Shroud each seems to have its own Event Horizon. Since energy has been added by entropy falling, the Event Horizons move closer and closer to each other, finally becoming one. Time collapses to Zero. Eventually they disappear, revealing the entity they were clothing so to speak, the Space-Time Singularity Big Bang style. Everything indicates that at the collapse of the Interface the Body is suddenly no longer in the tomb.

After time, due to the impulse of the time-like part of Singularity started to proceed in a new direction, it had to give forth the Image that was carried by the last time quanta and encoded, as we know, on the Event Horizon. It was the Image of the dead Body with a retrospective quality and recorded in two halves.

The space-like part of Singularity, as we have seen, explodes with everything all at once spreading its powerful Information Field. With its obvious assistance the Image recovered by time spreads itself on both sides of the cloth. The mechanism is extremely complex. The orthogonal projection is scarce. The oblique forms are transported in multi planes turning and turning, superposed and creating a Bas-relief effect with the mysterious Event Horizon as its impenetrable background. Another paradoxical quality of the Shroud is its semi-three-dimensional character, a two-dimensional encoded Image that can only translate itself in three dimensions, forever speaking about the presence of a real three-dimensional Body.

We have to remember also that the explosion of a singularity is an incredibly powerful event even in an Isolated System. One of these brought forth the Big bang. The tomb can contain and witness only the infinitesimal split duration of the explosion and action of the Singularity, hence the unknown and alien marks on the Shroud that no one could imitate.

Creation started out of a Singularity and its explosion. We call it the Big Bang. No matter how startling and how unbelievable it is, but this investigation led to a definite Singularity. The Second Creation has been started in the tomb and burst forth from there. The Shroud is an incredible Blueprint presented amidst the signs of a monumental sacrifice.

I close with the very fitting words of John Archibald Wheeler:

“Some day a door will open and expose the glittering central mechanism of the world in its beauty and simplicity”.
Who would have thought that this door will open through the Shroud of Turin!